A project with 20 to 30 or more source tracks, requires left to right scrolling. Unfortunately in a single display system, like an iMac, you cannot display the mixer panel full-screen. You can show or hide individual pieces of the mixer, as well. The Fairlight interface is compatible with single and dual-display set-ups and uses UI panels that can be turned on and off or slid onto the screen as needed. On a Mac, any Core Audio device will do, so recording into Fairlight and monitoring the output is compatible with simple USB audio interfaces, like Focusrite, PreSonus and others. You can run Fairlight without any external hardware, yet it’s scalable up to a complete recording studio rig. The Fairlight page also supports Blackmagic’s two editor keyboards. These include an accelerator card, a modular chassis, control surfaces, controllers, and an audio interface. Plus, it works in Windows, Linux, and macOS.Īlong with this software development, Blackmagic Design has expanded the ecosystem of companion Fairlight products. No significant feature restrictions and no Blackmagic hardware required. If your only interest is stereo recording and mixing, then Resolve is one of the only, truly free DAWs on the market. Nearly all Fairlight features and effects are the same in both versions, with the exception of ATMOS and spatial audio mixing/monitoring, which requires the Studio version. The Studio version can be activated on two computers at the same time. No need to ever have video enter into the equation.įairlight is integrated into both DaVinci Resolve (free) and Resolve Studio ($295). Even though it’s nested inside of a video editing and grading tool, Fairlight is capable of being a standalone audio application. When Blackmagic Design acquired the assets of Fairlight, the software was refreshed and developed into the Fairlight page within DaVinci Resolve.
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